Last week, we began an exploration of how Eizouken both thoughtfully illustrates and personally embodies the wily, disorderly nature of the storytelling process.
Nick Creamer has been writing about cartoons for too many years now, and is always ready to cry about Madoka.
Kanamori doesn’t act the way she does to be a buzzkill (well, at least when she’s yelling at them for production-related reasons).
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